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Engel Current events Our calendar of events. Bitte beachten Sie, das die Veranstaltung gefilmt wird. The Judicial Murder of Jakob Mohr CZ, , Czech with English subtitles, 63 min recounts the story of the psychiatric patient and artist Jakob Mohr, who was convinced that his actions were being controlled by his doctor with the aid of a mysterious machine.
Mohr depicted this machine in many of his drawings as a wooden box that transmitted beams or waves that passed through his body and took control of him. The drawing Justizmord Judicial Murder from — is of a trial depicted from self-contradictory perspectives. The victimised Mohr appears in the role of the accused and his doctor is shown to be an eavesdropper and manipulator influencing the machine and the institution of the court.
Mohr identifies many disguised patients and doctors who support his theory of the monstrous conspiracy against him. The drawing becomes the scene for a staged session of the court where Mohr is presented as artist, patient and criminal and in which not only his visions but also other motifs and figures associated with art brut lay claim to their own right to exist. Mohr offers us a report on the details of the legal trial that takes place in his head and into which fragments appear from the outside world of his medical records, criminal records, and an analysis of his drawing from the point of view of its aesthetic qualities.
The film and performance were created and produced in collaboration with Are are-events. Februar bis zum 4.
German Films in the Department • German Colorado College
Motiv: Adelhyd van Bender, Wandmalerei. Photo: Christian Werner Mittwoch, 1. Ein Film von Lothar Hempel , 4. Haas, 9. Sonntag, Rhodes, Rhodes — Or the Unpreparedness Promteheus and Pals, Performance for Synthesis and Organic Oscillators , Pietro Roccasalva. Das Begleitheft zur Ausstellung von Sean Snyder.
No Apocalypse. Not Now , die von Das Begleitheft zur Ausstellung von Ceal Floyer , die von Not Now , Das Begleitheft zur Ausstellung von Thea Djordjadze. In addition he pursues various long-term projects such as the production of a magazine not dissimilar to printed advertisement circulars. His use of formats not specific to art practice and his preference for everyday forms of action is characteristic of his work as much as the distance he consciously keeps to the type of expert artists, who, by repetition attain mastery in their specific technique and spread it throughout the art system.
In his polyglot and multi-formatted installations casually set gestures and an unconventional formalism condense into unpredictable spaces of projection.
Die Arbeiten in der Ausstellung sind vorrangig aus einfachen Materialien und Baustoffen geformt. Ihr Blick auf die Welt ist ein transzendenzloser. Was hat der Architekt geplant? Ausstellungsbooklet A wavy line is drawn across the middle of the original plans. The works in the exhibition are made primarily of simple building materials. They reflect everyday use. Their view of the world is without transcendence. They contrast the sublimity of minimalism with their pure physicality.
Their source is the building kit, of which normality is constructed. At the level of reference, some of the works refer to semi-public or private spaces, as they provide contexts oriented to meaning for the construction of identity. The shifts that distinguish the works from their functional models can be minimal and yet convey skepticism. The exhibition is interested in the link between the built environment and the ideas and programs formulated through it.
Every product of formal design embodies the utopia of a space, in which it can appear in an ideal way. This abstractly planned space is always a political space at the same time, which defines certain orders and identities. This perspective also draws the gaze to the aspect of authority in both artistic and architectural productions, which became visible in the 20th century as the ambivalence of Modernism between emancipation and control, between empowerment and rationalization.
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Programm Montag, Dienstag Omer Fast geb. Die pluralen Sichtweisen und Stimmen, die er so in seine Geschichten integrieren kann, negieren das Authentische. Sie funktioniert wie ein Nachbild zu Feet is the Best. Nostalgia ist eine dreiteilige Videoinstallation. Auch in den folgenden Videos der Arbeit beschreiben Schauspieler unterschiedlicher Figuren eben diese Schlingfalle. Arend und Dr. The plurality of perspectives and voices he integrates into his stories in this way negate the authentic. His films are works on the possibilities and potentials of story-telling.
The digital film, which is based on an interview by the artist with a former pilot, mixes documentary material with fictitious elements. The pilot evades the questions of the interviewer time and again and seeks refuge in the recounting of petty anecdotes. The images these stories conjure up in the film blend with our own imaginings of the war in the Middle East and those of Las Vegas. Increasingly, the film focuses on the void between our own media-shaped assumptions and the traumatizing experiences of the pilot.
A new slide and video work by Omer Fast has been installed in the basement of the Kunstverein. Her face was covered acts like an after-image of Feet is the Best. The video shows preparations for a film shoot just after a staged bomb explosion. The images were filmed from the top of a crane in order for them to resemble the vantage point of a drone pilot. The voice-over of a drone pilot tells the story of how and why he receives orders to eliminate a woman.
For the slide projection Omer Fast looked up phrases from this story in Google images. Some of the images from the search results are absurd and seem to be selected at random; others are a close fit to the actual story. The images are like shadows of the story that seems to uncannily be made up of an everyday image reservoir. Nostalgia , a work made in , is a video installation in three parts. Based on an audio recording of a conversation with a refugee from Nigeria a story about illegal immigrants and the tightly controlled border between Africa and Europe develops.
Nostalgia consists of a short documentary video, a two-display installation showing a staged interview situation between an African and a director and a science fiction set in the past picturing Europeans fleeing a ruined and insecure Europe for a safe Africa via an underground tunnelling network. In the first part of Nostalgia the African interviewed by Omer Fast recounts how, when he was a child soldier, he was taught by a senior soldier to trap partridges.
In the subsequent parts of the installation actors acting out different characters describe precisely this laying of the snare trap. The more the viewer penetrates the manifold perspectives and planes of reality the more the snare seems to close in on him. We cordially thank Dr. Arend and Dr. Das emanzipatorische Potential des Einzelnen und der Gesellschaft als Ganzes sowie die Rolle der Kultur in diesen Prozessen sind Themen, mit denen sich die Mitglieder der Gruppe sowohl gedanklich als auch in ihren Aktionen auseinandersetzen.
Der Name Chto Delat? Die Ausstellung Perestroika. Chto Delat? Das Kollektiv nahm bereits an Gruppenausstellungen in zahlreichen internationalen Institutionen wie dem New Museum, New York , der Einzelausstellungen waren u. Im Oktober wird Chto Delat? Die Chto Delat?
Translation Under Fascism
The Russian collective Chto Delat? They combine political theory, art and activism in their manifold activities. The name Chto Delat?
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