From Another Angle (An askance but poetic look at the Christian Faith)


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In a few minutes you will receive an email with a download link at the following address:. If you don't find the email in your inbox, please check your spam folder. Continue Cancel. So spake th' apostate Angel, though in pain, Vaunting aloud, but rack'd with deepgdespair: And him thus answer'd soon his bold compeer.

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Compare with Isaiah vi. An order of ar the throne of God. Strength undiminish'd, or eternal being To undergo eternal punishment? If then his providence Out of our evil seek to bring forth good, Our labor must be to pervert that end, And out of good still to find means of evil; Which oft-times may succeed, so as perhaps Shall grieve him, if I fail not, and distitrb His inmost counsels fiom their destined aim.

But see, the angry victor hath recall'd His ministers of vengeance and pursuit Back to the gates of Heav'n; the sulph'rous hail Shot after us in storm, o'erblown hath laid The fiery surge, that from the precipice Of Heav'n received us falling; and the thunder, Wing'd with red lightning and impetuous rage, Perhaps hath spent his shafts, and ceases now To bellow through the vast and boundless deep, Let us not slip th' occasion, whether scorn One of an order of angels next in rank to a seraph.

Compare with Gen. The account here given by Satan differs materially from that whib, Raphael gives, book vi. RaphaePs account may be considered as the true one; but, as Newton remarks. In book vi. And what a slublime idea does it give us of the terrors of the Messiah, that he alone should be a- formidable, as if the whole host of Heaven were in pursuit of them. Or satiate fury yield it from our foe.

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Seest thou yon dreary plain, forlorn and wild, The seat of desolation, void of light, Save what the glimm'ring of these livid flames Casts pale and dreadful? Thither let us tend From off the tossing of these fiery waves, There rest, if any rest can harbor there, And reassembling our afflicted powers, Consult how we may henceforth most offend Our enemy, our own loss how repair, How overcome this dire calamity, What reinforcement we may gain from hope, If not, what resolution from despair.

The incidents, in the passage that follows, to which Addison calls attention, are, Satan's being the first that wakens out of the general trance, his posture on the burning lake, his rising from it. Prone on the flood, somewhat like those two monstrous serpents described by Virgil ii. Rood, 4c. And also that of the old dragon in Spenser's Fairy Queen, book i.

Titanian, or Earth-born: Genus antiquum terra, Titania pubes 2En. I Briareos, or Typhon, whom the den By ancient Tarsus held, or that sea-beast 2'0 Leviathan, which God of all his works Created hugest that swim the ocean stream; Him haply slumb'ring on the Norway foaml The pilot of some small night-founder'd skiff Deeming some island, oft, as seamen tell, With fixed anchor in his scaly rind Moors by his side under the lea, while night Invests the sea and wish d morn delays: Here Milton comme ces that tin of learntd allusions which was among his peculiarities, and which he always makes poetical by some picturesque epithet, or simile.

Briareos, a fabled giant one of the Titans possessed of a hundred hands. Leviathan, a marine animal finely described in the book of Job, ch. It is supposed by some to be the whale; by others, the crocodile, with less probability.

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See Brande's Cyc. Swim the ocean-stream: What a force of imagination is there in this last expression! What an idea it conveys of the size of that largest of created beings, as if it shrunk up the ocean to a stream, and took up the sea in its nostrils as a very little thing! Force of style is one of Milton's great excellencies. Hence, perhaps, he stimulates us more in the reading, and less afterwards. The way to defend Milton against all impugners is to take down the book and read it.

This line is by some found fault with as inharmonious; but good taste approves its structure, as being on this account better suited to convey a just idea of the size of this monster. Night-foundered: overtaken by the night, and thus arrested in its course. The metaphor, as Hume observes, is taken from a foundered horse that can go no further. Under the lee: in a place defended from the wind. Invests the sea: an allusion to the figurative description of Night given by Spenser: " By this the drooping daylight 'gan to fate.

And yield his room to sad succeeding night, Who with her sable mantle 'gan to shade The face of Earth. Then with expanded wings he steers his flight Aloft, incumbent on the dusky air, There are many examples in Milton of musical expression, or of an adaptation of the sound and movement of the verse to the meaning of the passage. This line is an instance. By its great length, and pectliar structure, being composed of monosyllables, it is admirably adapted to convey the idea of immense size.

Chained on the burning lake: There seems to be an allusion here to the legend of Prometheus, one of the Titans, who was exposed to the wrath of Jupiter on account of his having taught mortals the arts. According to another story he was actually the creator of men, or at least inspired them with thought and sense. His punishment was to be chained to a rock on Caucasus, where a vulture perpetually gnawed his liver from which he was finally rescued by Hercnles.

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This legend has formed the subject of the grandest of all the poetical illustrations of Greek supernatural belief, the Prometheus Bound of,'schylus. Many have recognized in the indomitable resolution of this sa fuiring Titan, and his stern endurance of the evils inflicted on him by a power with which he had vainly warred for supremacy, the prototype of the arch-fiend of Milton. That felt unusual weight: This conceit as Thyer remarks is borrowed fromn Spenser, who thus describes the old dragon, book i.

Etna, whose combustible And fuel'd entrails thence conceiving fire, And with strong flight did forcibly divide The yielding air, which nigh too feeble found Her flitting parts, and element unsound, To bear so great a weight. Liquid fire. There are several noble similies and allusions in the first book of Paradise Lost. And here it must be observed that when Milton alludes either to things or persons he never quits his simile until it rises to some very great idea, which is often foreign to the occasion that gave birth to it. The simile does not perhaps occupy above a line or two, but the poet runs on with the hint until he has raised out of it some brilliant image or sentiment adapted to inflame the mind of the reader and to give it that sublime kind of entertainment which is suitable to the nature of an heroic poem.

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In short, if we look into the poems of Homer, Virgil, and Milton, we must observe, that as the great fable is the soul of each poem, so, to give their works the greater variety, the episodes employed by these authors may be regarded as so many short fables, their similies as so many short episodes, and their metaphors as so many short similies. If the comparisons in the first book of Milton, of the sun in an eclipse, of the sleeping leviathan, of: bees swarming about their hive, of the fairy dance, be regarded in this light the great beauties existing in each of these passages will readily be discovered.

Wind: this should be altered to winds, to agree with the reading in line ; or that should be altered to agree with this. Pelorus: the eastern promontory of Sicily. Thence conceiving fire: the combustible and fuelled entrails, or interior contents, of the mountain, are here represented as takingfire, as the result of the action of the subterranean wind, in removing the side of the mountain. The fire thus kindled was sublimed with mineral fury, that is, was heightened by the rapid combustion of mineral substances of a bituminous nature.

The poet seems to have in his mind the description of JEtna by Virgil book iii , Sed horrificis juxta tonat JEtna ruinis, Interdumque atram prorumpit ad athera nubem, Turbine fumantem piceo, et candente favilla; Attollitque globos flammarlum, et sidera lambit:. Him follow'd his next mate, Both glorying to have 'scap'd the Stygian flood As Gods, and by their own recover'd strength, Not by the sufPrance of Supernal Power. Be it so, since he Who now is Sovran can dispose and bid What shall be right: farthest from him is best, Whom reason hath equall'd, force hath made supreme Above his equals.

Farewell happy fields, Where joy forever dwells: Hail horrors, hail Infernal world, and thou profoundest Hell Receive thy new possessor; one who brings A mind not to be changed by place or time. Stygian flood; an expression here of the same import with infernal flood, alluding to the fabulous river Styx of the lower world, which the poets represented as a broad, dull and sluggish stream.

Sovran: from the Italian word sovrano.


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Channing, writing upon Satan's character as drawn by the po t observes: " Hell yields to the spirit which it imprisons. The intensity of its fires reveals the intense passion and more vehement will of Satan; and the ruined archangel gathers into himself the sublimity of the scene which surrounds him. This forms the tremendous interest of these wonderful books. We see mind triumphant over the most terrible powers of natuire We see unutterable agony subdued by energy of soul. These are some of the extravagances of the Stoics, and could not.

Here at least We shall be free; th' Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice,To reign is worth ambition, though in hell; Tetter to reign in hell than serve inheaven But wherefore let we then our faithful friends, Th' associates and copartners of our loss, Lie thus astonish'd on th' oblivious pool, And call them not to share with us their part In this unhappy mansion, or once more With rallied arms to try what may be yet Regain'd in Heav'n, or what more lost in Hell?

Shakspeare, in Hamlet, says: There is nothing either good or bad, but Thinking makes it so. This sentiment is the great foundation on which the Stoics build, their whole system of ethics. Compare Virg. The lust of power and the hatred of moral excellence are Satan's prominent characteristics. Edge of battle: from the Latin word acies, which signifies both the edge of a weapon and also an army in battle array.

See book VI. As we ere while, astounded and amazed, No wonder, fall'n such a pernicious height. Homer and Ossian describe in a like splendid manner the shields of their heroes. Galileo: He was the first who applied the telescope to celestial observations, and was the discoverer of the satellites of Jupiter in , which, in honor of his patron, Cosmo Medici he called the Mediccan stars. Frc:n the tower of St. Mark he showed the Venetian senators not only the satellites of Jupiter but the crescent of Venus, the triple appearance of Saturn, and the inequalities on the Moon's surface.

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At this conference he also endeavored to convince them of the truth of the Copernican system. Fesol: a city of Tuscany. The very sound of these names is charming. Ammiral: the obsolete form of admiral, the principal ship in a fleet. The idea contained in this passage, may, as Dr. Johnson suggests, be drawn from the following. Tasso, canto vi.


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Nathless: nevertheless. This is a favorite passage with all readers of descriptive poetry. Autumnal leaves. Compare Virgil's lines, JEn. But Milton's comparison is the more exact by far; it not only expresses a multitude but also the posture and situation of the angels.

From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)
From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)
From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)
From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)
From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)
From Another Angle (An askance but poetic look at the Christian Faith) From Another Angle (An askance but poetic look at the Christian Faith)

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